Romance writing for men

Do you want in include a romance in your writing but you’re not sure where to start? Here’s a basic overview of “romance ingredients” and a fun analysis of Disney’s Fr…

Source: Romance writing for men

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Romance writing for men

 

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This post could also be titled “Romance writing for beginners,” or even “Romance according to Disney”. But I’ve targeted you blokes (sorry if I’m being sexist) because I’m tutoring several men in the professional writing stream this year and some have asked me for advice on including a romance plot in their novels. It seems to me, in general, that men don’t read romance as much as women, so this is a fairly basic overview of the ingredients you need. Its applicable to anyone writing romance or including a romantic subplot in your work. Also, because I have a toddler and our house is an Elsa, Anna, Olaf shrine, I’ve used Frozen as an example (a good thing for those of you who have small children cos you can do your homework and look after them at the same time!) Frozen and Shrek the Third are both awesome examples of a romance subplot in action (warning: this post contains spoilers!)

For a romance, you need:

  1. A reason for the characters to be in each-other’s company
  2. Internal and external conflicts
  3. Chemistry between your characters
  • A reason to be together
  • Let’s look at number one – your characters could work in the same office or, say, on a military mission together. Anything that keeps them together for a good deal of the action of your story. In Frozen, Kristoff and Anna are in each other’s company because Anna needs help getting to the North Mountain to find her sister and Kristoff can help her. What reason do your characters have to remain in each other’s company?
  • External Conflict
  • Internal and external conflicts – yep, you need both. An external conflict preventing two characters from being together might be that they’re married to other people. In Frozen, the external conflict to Hans and Anna getting married is that Elsa won’t give their marriage her blessing. She then “goes all ice crazy” and freezes the kingdom. Anna has to find her to bring her back and unfreeze the kingdom. These are the forces outside of Anna and Hans that prevent them from being together. You’ll need at least one external force that keeps your characters apart for a good deal of the story. If Elsa had given Anna and Hans her blessing, they’d have gotten married and that would be the end of the story. We don’t want that!
  • Internal conflict
  • There can be a myriad of these and it’s best not to fall into cliché and say “they’re afraid of their feelings”. The internal conflict for Anna and Hans once they’re reunited is that Hans doesn’t really love Anna. (And Anna has fallen for another guy, anyway.) Hans has faked it because he wanted to marry into the royal family, and he’s actually a rotter who’d been planning Elsa’s death so he could rule the kingdom. Frozen then has the other romantic subplot— Kristoff and Anna, and this is the real romance of the story. They don’t like each other much as first, but Anna needs Kristoff to help her find her sister. Kristoff doesn’t want to help, but he has no money and Anna has bought him the supplies he needs. Then his sleigh is destroyed and if he doesn’t continue to help her, he won’t get his sleigh replaced. This covers both their “reason to be in each other’s company” and a relationship that goes from “don’t like you much” to “in love”. The internal conflict is the personality clash, and Kristoff’s loner outlook versus Anna’s extreme desire to be loved. The external conflict is that Anna is engaged to Hans and the whole kingdom is frozen.

 

  • Chemistry
  •  As Anna and Kristoff work together to find Elsa, they become closer and it’s apparent through their behaviour towards one another that they’re falling in love. This is the “chemistry” ingredient and is a “show don’t tell” thing. It can be the trickiest part to pull off and takes practice. Look at chemistry between your characters the same way you do all relationships — what makes this particular relationship work? In Frozen, it’s easy to see why everyone loves Anna. She’s cute, but not intimidating beautiful (like Elsa!), she’s a goof, she’s funny, she’s kind and strong. We like Anna. Kristoff, although a bit prickly to start with, is also likeable. He’s down to earth, has a quirky relationship with his reindeer, is the ‘voice of reason’, and does the right thing by Anna when Hans doesn’t. Their banter, their action scenes together, their support of one another all adds up to “chemistry”. As I said, it’s the trickiest bit, but if you focus on creating great characters, the chemistry will flow.
  • Resolution
  • Once all their obstacles are removed (found and saved Elsa, defrosted Anna’s frozen heart, and gotten rid of stinker Hans), Kristoff and Anna can be together. It’s no accident this romance is tied up in the last scene. Try watching Frozen with all this in mind you should be able to:
    • Identify the external and internal conflicts in the romance between Anna & Hans, and in the romance between Anna & Kristoff
    • See why Anna and Kristoff (and even Hans to start with) are such likeable characters. Think of how you can do this with your characters.

Another great one for this exercise is Shrek Forever After. It’s less “romancey” as it’s intended for both boys and girls, and the main plot involves Shrek being dissatisfied with his life and wishing for a simpler time before he was a married father of three (I can relate!) He gets his wish, but at a cost. He does a dodgy deal with Rumplestiltskin and alters reality. If he doesn’t get “love’s true kiss” before the end of the day, he’ll cease to exist. Problem is, in this reality Fiona, his wife, doesn’t know or love him. He has to make her fall in love with him all over again. A good one to watch to see how this is handled in a more “masculine” way.

Let me know if you have any questions and, as I said, this is a basic overview but hope it helps!

Happy writing. 🙂

Grant news- new anthology

If you write, you’ll know it’s not glamorous (many hours alone at a keyboard in isolation while your friends and family are having fun or, better yet, sleeping!) and it’s the little wins that keep you going. You need to be your own biggest cheerleader because, let’s face it, no-one cares more about your work than you do.

So, it’s great to celebrate the “little wins”. Those bits of validation that tell you you’re doing a good job, and to just keep going. This is one of those happy dance,” woot-woot”, moments, so apologies for being self-indulgent, but who else is going to indulge me? I mean, you can if you like…

My virtual writers group, Seasoned with Romance, has been awarded grant funding for our next anthology. We’ve put out two free anthologies of our short stories so far, and now one of Australia’s biggest and best writers’ organisations, Romance Writers of Australia, has recognised the quality of our work with a grant. The money will pay for those professionals who, to date, have donated their services, to get paid. That includes our extremely talented book cover designer, Daniella Caruso (http://carusodaniella.wix.com/illustration), and payment for editing and promo services.

The new anthology, Winter Heat, will still be free for readers and I hope you’ll take this stamp of approval as a sign that it’s worth reading and get yourself a copy when it comes out in June.

Contributors to Summer Daze which is free to download here (http://bit.ly/1pxm5HH) are all wonderful Australian writers and you can learn more about them through their websites:

http://www.carlacaruso.com.au

http://www.lauragreaves.com/

http://georginapenney.com/

https://sarahbell4.wordpress.com/

https://vanessastubbswriter.wordpress.com/about/

 

I’ll keep you updated as the release of Winter Heat nears!

Women’s fiction anthologies

I have two stories in these anthologies that feature some of Australia’s best chick lit writers.

In Autumn Leaves, sometimes the end is just the beginning… What if leaving one life behind meant the best was yet to come?

Six of Australia’s leading chick lit authors present a moving and hilarious collection of autumnal stories that show the seasons may change, but true love is perennial.
Get your free copy here:http://bit.ly/1nxauau
autumn leaves cover
And are you missing summer yet? Summer… when hot days, steamy nights, surf, sand and sizzle make that first flush of new love feel dreamlike.
Download free here: http://bit.ly/1pxm5HH
Summer Daze cover